64 Black Lux Norm
The model 64 Black Lux Norm It's inspired by amplifiers Vintage Fender 60s blackface, with a tone clean, bright and dynamic, ideal for:
- Blues, classic rock, jazz and pop
- Pedal platformer: Reacts well to overdrive and boost
- Transparent, defined sound with high headroom
It is a "normal" amplifier without heavy factory saturation, excellent for modulating the sound with pedals or the volume of the guitar.
Controls
Control the high frequencies:
- Low → warmer, smoother sound
- High → bright, punchy sound
- Adjust to match the tone to the pickup and mix
Control the low frequencies:
- Low → more defined and tight
- High → fuller but can become “flubby” Ideal:
- 35–55% for a balanced sound
Controls preamp level:
- Low → clean
- High → light crunch / natural overdrive
- Interacts with EQ → more volume = more saturation
Final amplifier volume control:
- Negative → attenuation 0 d
- B → neutral level
- Positive → boost of the final signal Does not alter the timbre, only the overall level
Synchronizes the tremolo speed to the preset tempo:
- Y → synchronized to
- BPMN → free, adjusted in Hz
Tremolo speed in
Hertz (cycles per second):
- 0.5–1 Hz → slow and smooth
- 1–3 Hz → classic
- 3–6 Hz → fast and rhythmic
If
Sync
- ON → Speed automatically adapts to the preset tempo
Depth of the tremolo effect:
- Low → light effect
- High → strong and pulsating tremolo
Pro Tips
BEHAVIOR OF THE AMPLIFIER
- Clean and bright sound, minimal breakup
- Dynamic response to guitar touch and volume
- Adjustable tremolo for vintage or modern effect
Advice:
- Treble + Volume → define brilliance and crunch
- Bass + Intensity → control tremolo body and depth
- Output Level → balances the overall volume of the effect chain
Final advice:
- Use Volume and Treble to modulate the natural crunch
- Light Tremolo + Medium Speed → classic vintage sound
- Output Level → balances the sound with other blocks/pedals
Setup Examples
Clean vintage
Classic / blues tremolo
Rock/rhythm tremolo
Eric Clapton Style (“Bluesbreaker / Woman Tone”)
Tremolo (optional)
- Sync: N → free regulation
- Speed (Hz): 1–1.5 Hz → slow, vintage tremolo
- Intensity (%): 20–30% → light effect
It serves to give movement without distracting the main sound
Overdrive / Boost (optional)
- K Drive / S1 Drive lightweight:
- Drive: 10–15%
- Level: 60–70%
- Tone: 50–55%
Adds sustain and lightness to natural crunch
Sound
- Clean → warm and round
- Lead → long, singable notes
- Light natural crunch for expressive dynamics
Recommendations for use
- Neck pickup → soft lead
- Bridge pickup → defined rhythm
- Guitar volume
- 6–7 → clean
- 8–10 → light crunch
- Technique:
- Wide vibrato
- Right hand volume control
- Expressive bending
More aggressive / blues-rock variant
- Volume: 50–55%
- Treble: 55–60%
- K/S1 Drive Level: 70–80%
Gary Moore Style (Blues/Rock Lead)
Tremolo (optional)
- Sync: N → free regulation
- Speed (Hz): 2–3 Hz → more rhythmic tremolo
- Intensity (%): 35–50% → more pronounced
More evident tremolo, suitable for rock-blues sounds
Overdrive/Boost
- S1 Drive / K Drive:Drive:
- Drive: 20–35% → sustain and pronounced crunch
- Level: 70–85%
- Tone: 55–65%
Fundamental to Gary Moore's signature “singing” sound
Sound
- Clean → light crunch with natural dynamics
- Lead → long, sustained notes
- Full-bodied and warm sound, with pronounced mids
Recommendations for use
- Neck pickup → soft lead
- Bridge pickup → sharper solo
- Guitar volume:
- 6–7 → light crunch
- 8–10 → cantabile solo
- Technique:
- Wide vibrato
- Dynamic control with right hand
- Expressive and controlled bending