64 Black Lux Vib.
Headrush Amplifiers

64 Black Lux Vib.

Inspired by Fender Deluxe Reverb (Vibrato)

The model 64 Black Lux Vib. It's inspired by amplifiers Vintage Fender 60s blackface, with a tone clean, bright and dynamic, ideal for:

  • Blues, jazz, classic rock and pop
  • Pedal platform: reacts perfectly to overdrive and boost
  • Transparent, defined sound with high headroom

It is a “vintage vibe” amplifier with integrated tremolo and vibrato, perfect for modulating the sound without external pedals.

BluesRockJazzFunkPopAcousticBass

Controls

Treble

Control the high frequencies:

  • Low → warmer, softer sound
  • High → bright, punchy sound
  • Adjust to match the tone to the pickup and mix.
Bass

Control the low frequencies:

  • Low → more defined and tight
  • High → fuller, can become “flubby”
  • Ideal:
  • 35–55% for a balanced sound.
Volume

Controls the preamp level:

  • Low → clean
  • High → light crunch / natural overdrive
  • Interacts with EQ → more volume = more saturation.
Output Level

Final amplifier volume control:

  • Negative → attenuation 0 d
  • B → neutral level
  • Positive → boost of the final signal Does not alter the timbre, only the overall level.
Sync

Synchronize tremolo and vibrato to the preset tempo:

  • Y → synchronized to
  • BPMN → free, adjusted in Hz
Speed

Effect speed (cycles per second):

  • 0.5–1 Hz → slow and smooth
  • 1–3 Hz → classic and natural
  • 3–6 Hz → fast and rhythmic
  • If
  • Sync
  • ON → Speed ​​automatically adapts to the tempo of the preset.
Intensity

Depth of the tremolo/vibrato effect:

  • Low → light effect
  • High → strong and pulsating tremolo/vibrato
Vibrato

Activate or deactivate the integrated vibrato:

  • Y → effect active
  • N → effect deactivated
  • Ideal for adding fine modulation without external pedals.

Pro Tips

BEHAVIOR OF THE AMPLIFIER

  • Clean and bright sound with minimal breakup
  • Dynamic response to guitar touch and volume
  • Adjustable tremolo and vibrato for vintage or modern effect

Advice:

  • Treble + Volume → define brilliance and crunch
  • Bass + Intensity → control tremolo/vibrato body and depth
  • Output Level → balances the overall volume of the effect chain

Final advice:

  • Volume and Treble → modulate the natural crunch
  • Light Tremolo + Medium Speed ​​→ classic vintage sound
  • Active Vibrato → adds depth without pedals
  • Output Level → balances the sound with the effects chain

Setup Examples

Clean vintage

Treble50%
Bass40%
Volume40%
Speed1 Hz
Intensity25%
SyncN
VibratoN
Output Level0dB

Classic Tremolo / Blues

Treble55%
Bass45%
Volume50%
Speed1.5–2 Hz
Intensity35%
SyncN
VibratoN
Output Level0dB

Vibrato / Rhythmic Rock

Treble60%
Bass40%
Volume60%
Speed3 Hz
Intensity50%
SyncY
VibratoY
Output Level+1–2 dB

Eric Clapton – “Bluesy Clean”

Treble50%
Bass45%
Volume45%
Speed1 Hz
Intensity20%
SyncN
VibratoN
Output Level0dB

Description: Clean, bright and dynamic. Ideal for vintage blues licks, with light headroom for natural overdrive from the pedals or right hand touch.

Gary Moore – “Rocky Crunch”

Treble60%
Bass50%
Volume55%
Speed1.5–2 Hz
Intensity35%
SyncN
VibratoN
Output Level+1 dB

Description: Strong but defined crunch sound, perfect for rock/blues solos and powerful rhythm. Light tremolo to give movement to the sustain.

Jeff Beck – “Vibrato Expressive”

Treble55%
Bass40%
Volume60%
Speed3 Hz
Intensity45%
SyncY
VibratoY
Output Level+2 dB

Description: Expressive sound, with marked vibrato and tempo-synchronized tremolo. Ideal for melodic phrasing and fluid solos with rich modulations.