89 SL-100 Clean
Headrush Amplifiers

89 SL-100 Clean

Inspired by Soldano SLO-100 (Clean)

The model 89 SL-100 Clean it is an amplifier designed for clean, defined and dynamic sounds, ideal for blues, jazz, pop and classic rock:

  • Clean and bright sound, with excellent headroom
  • Precise control of preamp and master volume
  • Full EQ to shape tone and definition
  • Perfect for single coil or humbucker guitars

Ideal for those looking for a versatile clean, suitable for studio and live.

BluesRockHard RockJazzFunkPopCountryAcousticBass

Controls

Bright

Activate the high frequency boost:

  • Y → brighter and sharper sound
  • N → softer and fuller sound
Treble

Control the high frequencies:

  • Low → soft sound
  • High → bright and defined
Middle

Controls the mid frequencies:

  • Low → natural scoop
  • High → more body and presence Fundamental to stand out in the mix without losing definition
Bass

Control the low frequencies:

  • Low → tight and controlled
  • High → full and powerful
Presence

Controls the final brilliance:

  • Low → soft sound
  • High → sharper and more open Affects definition and “air” of the sound
Preamp

Controls the preamp level:

  • Low → crystal clean
  • High → light natural crunch
  • Allows you to modulate the clean with the touch of your hand or the volume of the guitar
Master Volume

Controls the overall volume of the amplifier:

  • Low → controlled sound
  • High → more punch Affects the overall feel without altering the timbre
Output Level

Controls the final volume:

  • Negative → attenuation 0 d
  • B → neutral
  • Positive → boost Does not alter the timbre

Pro Tips

BEHAVIOR OF THE AMPLIFIER

  • Clean, bright and dynamic sound
  • Optimal response to the touch and volume of the guitar
  • EQ and Presence modulate body and definition
  • Light preamp → light natural crunch if desired

Advice:

  • Bright + Treble high → crystal clear and sharp sound
  • Middle medium-high → maintains body and presence
  • Controlled bass → avoids mixing with sounds rich in low frequencies
  • Preamp + Master Volume → modulate dynamics without altering timbre

Final advice:

  • High Bright + High Treble → punchy and crystalline sound
  • Middle and Presence → balance body and definition
  • Moderate Preamp + Master Volume → natural dynamics

Setup Examples

Clean vintage / blues

BrightY
Treble55%
Middle50%
Bass50%
Presence50%
Preamp40%
Master Vol60%
Output Level0dB

Bright clean / pop/rock

BrightY
Treble60%
Middle55%
Bass50%
Presence55%
Preamp50%
Master Vol65%
Output Level+1 dB

Clean with light crunch / soft lead

BrightN
Treble55%
Middle55%
Bass50%
Presence60%
Preamp60%
Master Vol65%
Output Level+1–2 dB

The Edge – “Ambient/Chime Clean”

BrightY
Treble65%
Middle50%
Bass50%
Presence60%
Preamp45%
Master Vol65%
Output Level+1 dB

Description: Clear and bright sound, perfect for U2-style delays, modulations and ambient arpeggios.

John Mayer – “Warm Blues Clean”

BrightN
Treble55%
Middle55%
Bass50%
Presence55%
Preamp50%
Master Vol60%
Output Level0dB

Description: Soft and dynamic clean, ideal for blues, fingerstyle and melodic rhythms with great expressiveness.

Andy Summers – “Textured/Chorus Clean”

BrightY
Treble60%
Middle50%
Bass50%
Presence60%
Preamp50%
Master Vol65%
Output Level+1 dB

Description: Bright and arpeggiated clean, with chorus and reverb ideal for creating complex textures and Police-style sound spaces.

Quick Tips:

  • The Edge → high Bright + Treble → crystal clear and spatial sound
  • John Mayer → moderate preamp + balanced Middle/Presence → warm and dynamic
  • Andy Summers → Medium Bright + Medium Presence → texture and chime ideal for rich rhythms