Air Delay

Synchronize the delay to the BPM:

• Y → follows the preset tempo
• N → uses values ​​in milliseconds

Repetition time:

• 80–150 ms → slapback
• 300–500 ms → rhythmic delay
• 600+ ms → ambient

Number of repetitions:

• Low → few repetitions
• High → many repetitions

Over 70% → infinite effect

Amount of delay in the signal:

• 0–20% → light
• 25–40% → standard
• 50%+ → dominant

Delay queue management:

• Y → continues after bypass
• N → immediate stop

Difference between left and right delay:

• 0% → center (mono-like)
• values ​​→ slower right side
• values ​​→ slower left side

It is used to create a ping-pong effect

Stereo Width:

• 0% → mono
• 50% → moderate stereo
• 100% → ultra wide

Taller = more “open”

Modulation speed on repetitions:

• Low → slow movement
• High → fast movement

Create independent L/R chorus effect

Modulation intensity (depth):

• Low → almost stopped
• High → noticeable movement

Higher = more liquid delay

Cut the lows of the delay:

• 80–120 Hz → natural
• 120–200 Hz → cleaner
• 200+ Hz → very light

Avoid slurry in the mix