Ten Freq EQ
Headrush Dynamics & EQ

Ten Freq EQ

Inspired by MXR® M108 Ten Band EQ

It is a 10-band fixed graphic equalizer, studio/live standard, more detailed than 5-band and faster than parametric

GENERAL FUNCTION

Precise control of the audio spectrum.

Each band works on a specific frequency.

Ideal for:

  • live FOH
  • fast mastering
  • feedback correction

Control Parameters

30 HzGain dB
  • Very deep sub-bass

Effect:

  • boost → vibration / sub
  • cut → eliminate rumble

It often gets cut

60 HzGain dB
  • Sub + low bass

Effect:

  • boost → depth
  • cut → less boom
125 HzGain dB
  • Bass / body

Effect:

  • boost → fullness
  • cut → cleaning
250 HzGain dB
  • Low-mid

Effect:

  • boost → heat
  • cut → minus “mud”

Critical area

500 HzGain dB
  • Boxiness

Effect:

  • boost → closed sound
  • cut → more opening
1 kHzGain dB
  • Central high schools

Effect:

  • boost → presence
  • cut → less nasal
2 kHzGain dB
  • Attack / intelligibility

Effect:

  • boost → definition
  • cut → softer
4 kHzGain dB
  • High presence

Effect:

  • boost → clarity
  • cut → less aggressive
8 kHzGain dB
  • Brilliance

Effect:

  • boost → air
  • cut → less harsh
16 kHzGain dB
  • Air / ultra-high

Effect:

  • boost → opening
  • cut → warmer sound
GaindB
  • Global EQ volume

Compensates the level after EQ

Pro Tips

  • fixed bands → less precise than parametric EQ
  • excessive boosts → artificial sound
  • too many changes → loss of naturalness
  • small interventions are better (±2–4 dB)

Quick method:

  • low-mid size (250 Hz)
  • add presence (2–4 kHz)
  • adjust high (8–16 kHz)

Quick Reference

  • 30 Hz: sub
  • 60 Hz: depth
  • 125 Hz: body
  • 250 Hz: mud
  • 500 Hz: boxiness
  • 1 kHz: mediums
  • 2 kHz: attack
  • 4 kHz: presence
  • 8 kHz: brilliance
  • 16 kHz: air
  • Gain: output volume

Setup Examples

Clean live vocals

125 Hz−2 dB
250 Hz−3 dB
2kHz+2dB
4kHz+2dB
8kHz+2dB

Clear and defined

Acoustic guitar

125 Hz−2 dB
250 Hz−3 dB
4kHz+2dB
8kHz+2dB

Natural and shiny

Live anti-feedback

  • identifies problematic frequency
  • corresponding band cut (−4 / −10 dB)

Warm sound

125Hz+2dB
250Hz+2dB
8 kHz−2 dB
16 kHz−2 dB

Softer