66 Flip Bass
The model 66 Flip Bass It is a compact and versatile amplifier, designed for bass players looking for clarity, definition and punch. Ideal for:
- Rock, blues, funk and fusion
- Pedal platform: excellent with overdrive, compression and light modulations
- Defined sound, with simple and direct control over treble, bass and volume
Perfect for studio, live and recording, with a simple and intuitive structure.
Contrôles
Contrôlez les hautes fréquences :
- Faible → son doux et rond
- Son aigu → brillant et percutant
- Idéal pour couper ou accentuer le punch sur les notes aiguës.
Contrôlez les basses fréquences :
- Basse → plus serrée et plus définie
- High → de plus en plus ample, attention à ne pas brouiller. Parfait pour contrôler la profondeur et le sustain des basses dans le mix.
Contrôle le niveau du préampli :
- Faible → son contenu et clair
- Élevé → plus grande présence et saturation lumineuse
- Interagit avec l'EQ → plus de volume = plus de caractère et de dynamique.
Contrôle du volume de l'amplificateur final :
- Négatif → atténuation 0 d
- B → niveau neutre
- Positif → boost du signal final N'altère pas le timbre, seulement le niveau global.
Astuces Pro
BEHAVIOR OF THE AMPLIFIER
- Clear, defined and full-bodied sound
- Dynamic response to touch and instrument volume
- Simple controls: treble, bass, volume and output level
- Ideal for live situations and recordings where clarity is needed
Advice:
- Treble + Volume → define brilliance and punch
- Bass → controls sustain and depth
- Output Level → balances the sound with other blocks/pedals
Final advice:
- Treble + Volume → modulate brilliance and punch
- Bass → controls bass depth and sustain
- Output Level → balances the sound with the effects chain or other amplifiers
Exemples de Configuration
Clean defined
Punch rock/funk
Full-bodied sound for recording
Flea – “Funky Punch”
Description: Aggressive and punchy sound, ideal for slap and funky lines. Defined high frequencies and bass present without muddying, perfect for making the bass stand out in the rhythmic mix.
Geddy Lee – “Progressive Rock”
Description: Clear, balanced and incisive sound, suitable for complex melodic lines and progressive parts. Bass present but controlled, with brilliance in the high frequencies to define each note.
John Entwistle – “Rock Thunder”
Description: Full-bodied and powerful sound, perfect for aggressive rock lines. Deep and sustained bass, with moderate high frequencies to emphasize punch and definition without losing the power of the rhythm section.