R121
ReValver Microphones

R121

Inspired by Royer® 121

Model of: Royer R-121

type:

  • ribbon
  • natural polar figure: figure-8

SOUND CHARACTER

  • low full but controlled
  • medium very natural
  • high soft but present
  • answer extremely musical

in practice: zero harsh zero digital “record ready” sound

TIMBRIC PERSONALITY

it's a mic:

  • heat
  • balanced
  • very natural
  • slightly smooth

perfect for: rock metal lead recording

rockmetalstudyany cab

Controls

Axis Interaction

very important

  • ON-axis → more presence
  • OFF-axis → softer

here: OFF = “album” sound ON = more attack

Gain (dB)

  • volume only

Mic Distance (inch)

  • Distance 0–1”: full
  • Distance 1–3”: balance
  • Distance 2–4”: ideal
  • Distance >4”: natural

Low (dB)

bass already full

use:

  • 0 → natural
  • 1 → tighter

High (dB)

use:

  • 0 → perfect
  • +1 / +2 → more air
  • rarely beyond

Delay (ms)

useful for: multi-mic depth

Ambience (Y/N)

recommended ON

Amb Level (dB)

  • low → natural
  • medium → study

Amb Size (ms)

  • 40–80 → ideal

Pro Tips

QUICK SUMMARY

  • type: ribbon
  • character: natural / balanced
  • strength: musicality
  • use: universal studio

ON DARK CAB (PPC, Orange)

PERFECT opens without harsh

ON MODERN CABs (VHIII, 6505)

excellent professional sound

ON VINTAGE CAB

amazing disco sound

ON HI-FI CAB (TVX, SW Giant)

fundamental makes the sound more musical

PRO

super musical zero harsh perfect in the studio works everywhere

AGAINST

less attack less aggressive not super "sharp"

Setup Examples

ROCK STUDIO (TOP)

Dist2–3”
AxisOFF
Low0
High+1
AmbHon
  • disco sound

BALANCED METAL

Dist1–2”
AxisON
Low-1
High+1

LEAD

Dist2–3”
AxisOFF
High+2
AmbHon

NATURAL CLEAN

Dist3–5”
AxisOFF
High+1
AmbHon