SM7
ReValver Microphones

SM7

Inspired by Shure® SM7

Model of: Shure SM7 (SM7/SM7B family)

type:

  • dynamic
  • cardioid
  • designed for studio (broadcast + instruments)

SOUND CHARACTER

  • low very full
  • medium soft
  • high smooth (never harsh)
  • answer very controlled

in practice: fuller than the SM57, softer than the MD421, less bright than the 414

TIMBRIC PERSONALITY

it's a mic:

  • heat
  • very smooth
  • full-bodied
  • not very aggressive

perfect for: lead rock clean controlled sounds

leadsrocksoft sounds

Controls

Axis Interaction

  • ON-axis → more presence
  • OFF-axis → very smooth

here: OFF very useful ON by definition

Gain (dB)

be careful: more gain is often needed (“quiet” mic)

Mic Distance (inch)

  • Distance 0–1”: very full
  • Distance 1–2”: punch
  • Distance 2–4”: natural
  • Distance >4”: more open

Low (dB)

very present bass

use:

  • 0 → natural
  • 1 → tighter

High (dB)

tall soft

use:

  • 0 → natural
  • +1 → more presence

Delay (ms)

useful for: depth

Ambience (Y/N)

recommended ON for optional study for rock

Pro Tips

QUICK SUMMARY

  • type: dynamic
  • character: warm / smooth
  • strength: control
  • limit: less attack

ON DARK CAB (PPC, Orange)

risk: → too dark

solution:

  • high +1
  • axis ON

ON MODERN CABs (VHIII, 6505)

very controlled less harsh

ON VINTAGE CAB

excellent warm sound

ON HI-FI CAB (TVX, SW Giant)

useful softens

PRO

very musical zero harsh professional sound excellent for leads

AGAINST

the less defined the less the attack can be dark

Setup Examples

LEAD (TOP)

Dist2–3”
AxisOFF
Low0
High+1
AmbHon
  • smooth and chunky

ROCK

Dist1–2”
AxisON
Low-1
High0

CLEAN

Dist3–5”
AxisOFF
High+1
AmbHon

FIX HARSH

Dist2”
AxisOFF
  • smooth everything out