
Headrush Cabinets
4X10 TWEED BASS
Inspired by Fender® ’59 Bassman (Jensen P10Q)
4x10" Speaker
The 4x10 Tweed Bass it is inspired by classic cabinets Fender Bassman Tweed, characterized by:
- Sound warm, punchy and very dynamic
- Pronounced and musical averages
- Natural and “gritty” breakup
- Ideal for blues, vintage rock, crunch and light bass
Controls
Axis (Y/N)
Microphone position:
- Y (On-axis) -> more attack and presence
- N (Off-axis) -> softer and rounder
Off-axis = more vintage
Breakup (%)
Simulate cone saturation:
- Low -> clean warm
- Medium -> natural crunch
- High -> Evident vintage breakup
This cab has one of the most musical and "pushed" breakups
Out Gain (dB)
Check the output volume:
- Negative -> attenuation
- 0 dB -> neutral
- Positive -> boost
Amp Gain (dB)
Check the input level:
- Negative -> less thrust
- 0 dB -> neutral
- Positive -> more perceived response and saturation
It interacts a lot with breakup
Suggested Microphones
Pro Tips
CABINET BEHAVIOR
- Warm, full and very punchy sound
- Featured mids → great in the mix
- Natural and dynamic breakup
- More "rough" than the Black Panel cabs
- Advice:
- Medium breakup → sweet spot
- Dyn57 → rock attack
- Dyn421 → more body
- Ribbon → soft leads
- Off-axis → more vintage sound
Advice
- Medium breakup → sweet spot
- Dyn57 → rock attack
- Dyn421 → more body
- Ribbon → soft leads
- Off-axis → more vintage sound
Final advice
- Breakup 30–50% → true Tweed Bassman sound
- Dyn57 On-axis → perfect vintage rock
- Ribbon Off-axis → soft leads
Setup Examples
Clean warm/blues
MicTypeCond 67
AxisN
Breakups20–25%
Amp Gain0dB
Out Gain0dB
Crunch rock / vintage
Mic TypeDyn57
AxisY
Breakup35–45%
Amp Gain+1 dB
Out Gain0dB
Lead blues / driven
MicTypeRibbon 121
AxisN
Breakup45–55%
Amp Gain+1 dB
Out Gain+1 dB

